Snow Joke

So once again in the lane, snow is glistening, and the whole of Britain is looking like God let the icing sugar fall down from the cupboard and send its sweet powdery goodness everywhere. For most people, the snow is an annoyance, something pretty, or that thing which falls down occasionally and is very exciting oh God run everywhere run everywhere. Okay, that last group of people are all dogs.

For me? Trauma. Flashbacks. Screaming.

Shut up man, you weren't there! You don't know!

So, errm, last time it snowed. There's a story in that. As has already been recorded in certain highly reputable news sources, I had time off school. And what I always, without fail, do on a snow day is this: go over to my friend Dominic's house, because he will organise a day of great show based shenannigans.

Now, regular readers of this blog may realise that my friends are somewhat lacking on the normality scale. So while Dominic is may excel at creating a day filled with winter wonderland capers and reindeer games, he has his peculiarities - most based around the fact that Dominic is an artist. With the medium of celluloid, he constructs epic cinematic masterpieces. Dominic is a director of the highest calibre. So was I really to be surprised at his greeting?

"Ben. We're making a movie."

Now, please bear in mind that this was the first I, or any of the others he would later rope into this scheme of his, had heard about it. "So, errm, Dominic..." I asked, a tremor in my voice as I anticipated what was ahead, "Do we have a script?"
"No."
"Do we have props?"
"No."
"Do we at least have some other actors?"
"Of course. Mark and Mark." I have two friends called Mark, one of whom regular readers will have met before. Things can get confusing.

"So, to recap, we have three actors, no plot, no script, no props, and no plan."
"Planning a shoot is part of the bourgeois repression of the lower classes. I intend to make an artistic statement with this film." As far as I'm aware, this is director speak for "I didn't think this through properly."

And so we went, to the wide open expanse of heathland that would be our set for today, seeing the undisturbed snow lying across it and checking for polar bears, and the shoot began. We seemed to manage, actually. I played a villain because of the particularly villainous hat I was wearing, and laughed menacingly in lieu of actual dialogue, and chased Mark and Mark a lot. Sure, they fell over a bit, and sure, I had a lot of snow pelted at me, but it all seemed to be going fine. But Dominic is making art, and there comes a point where sacrifices must be made.

Here, the sacrifice came in the form of Mark and Mark's knees. They were forced to crawl through snow, snow which filled their boots, snow which filled their trousers, snow which filled their very hearts and souls with its icey cold snowness.

I'm not a doctor, but I do occasionally pretend to be one on the internet. And even I can tell you that burying someone's legs in snow isn't a great idea. Yet here these two were, suffering for someone else's art, abused at the hands of a cruel, cruel director. Mark was badly affected, but Mark was worse. He was literally frozen into his clothes, in unbearable agony - and I have a nasty feeling he's going to turn into a Batman villain.

So watch the below film. Watch it, and understand the blood, sweat, tears and pain that have gone into its production. Watch it for those fallen to villainy and despair.

Also features amusingly shaped pieces of wood, silliness, bad puns, and a conclusion that makes no sense whatsoever.

Do you expect me to blog?

Every man under thirty has one story about the one time he has, however briefly, felt a tiny bit like James Bond. This is mine.

I was walking home with a friend who, for reasons that will become apparent, I shall not name. Let's call him Quentin. Quentin and I were rounding the corner as we came to his house, and I prepared to bid him a fond farewell.

"What's that outside your house, Quentin? New car?"
"Shit. Ben, keep walking. Don't make eye contact."

I'd suspected something different was happening as soon as I saw the car, but this confirmed it. The car was shiny, sleek, and black. It certainly didn't look like his family's car, a slightly beaten up estate. Although the engine was off, it seemed to be full of men in black suits, blacker sunglasses, and with suspicious bulges under their arms. I did as Quentin advised, kept walking, and didn't make eye contact.

As you can imagine, I had some questions, four of them to be precise. They went: are those men government agents, are you wanted by them, are we in great danger, and dear Lord, what have you done. The answers, Quentin explained to me as we continued to walk further away from his house, were yes, yes, maybe, and it's complicated. Quentin had, he explained, "Done some stuff for the military. It was a long time ago, and it all went rather wrong."

"What happened? What did you do?"
Quentin, someone who until five minutes ago I'd thought of as being roughly as macho as an oestrogen sandwich, grinned a grin at me that was new, dangerous and worrying. "If I told you that..." he paused for effect, really relishing the opportunity to say this line, "I'd have to kill you." He relaxed a little, and continued to tell his story. "Thing is, everything got way out of hand, and the government don't really want any inconvenient reminders of their failure there."
"And they know who you are?"
"Looks like it. Look, all of this..."

And then the most terrifying sound cut him off. The one sound, at that time, neither of us wanted to hear.

The sound of a car motor starting.

It was one of those magical moments. We shared a look that spoke volumes - not in a throbbing homoerotic tension sort of way - and instantly knew what we had to do. We split up, him leaping the nearest fence and heading into the gardens, while I continued along the road at a somewhat faster pace...

I won't go into the events of the next hour because I quite simply haven't the time to narrate everything. But suffice to say that I've learnt several new skills, and those skills include snapping a man's neck as silently as possible, using passers by as human shields, and humming the mission impossible theme no matter how out of breath I am feeling.

Also, I'm now wanted by the government. So if this blog suddenly stops, you know where to find me...

A Spooky Story... (Part Three)

This probably isn't going to make any sense if you haven't read Part One and Part Two, preferably in that order.

There is some music that is so primal, so simple, that it bypasses the brain entirely. It doesn't bother with the ears, or with nerves, or with understanding: it speaks straight to your soul. It flows through your inner most being, and fits a red hot wire straight to your arms and your fight. You move to this music not because you have a choice, but because the music itself commands you - that deep, primal urge to respond in some way to something beyond mankind's understanding.

The Macarena is one example of that sort of music.

And by all accounts, it was going rather well. Those tiny remnants of humanity left in the child zombies were activated, stirred and awakened - their adorable stumbly little legs were desperately turning, their hands moving to various parts of their bodies as they danced, not because they wanted to, but because their souls had no choice. Needless to say, the second song of our set tonight was by far the more successful - on the keyboard, I was providing the backing, while Jacob had set his guitar down and was leading the actions, as Mark mirrored him and sang. Our seemingly certain death had been averted, as a warped version of thriller seemed to be taking place.

For once, just for once, Jacob had had a good idea. Not his usual "good ideas", which have, in the past, resulted in the explosion of a snowman, him setting an entire room on fire, and, my personal favourite, him deciding highly poisonous yew leaves would make a great tea.

The Bucket Wizard, however, was having none of it. With a snap of his wizened fingers, the power blew on my keyboard. Sparks shot from the speakers, looking somewhat like stage pyrotechnics but with the unfortunate effect of stopping the music. Unable to cope with the overload to what was left of their rotting brainstems, the childzombies collapsed, neutralised.

As the power blew, Mark ran away, seemingly in terror. It was just me and Jake left now, against an advancing foe of such ancient evil that petty malevolence seemed to roll off him. He raised his crinkly, liver spotted hands, and began an enchantment so ancient and virilent that the pavement began to melt and pool around his feet...

Thwack

That's the best I can describe the noise of a spade going through a three hundred year old skull soaked in dark magic and satanic influence. It's not a noise I've had to transcribe very often.

Mark, wielding the spade he'd just saved us with, further proved that he was, in his spare time, a bit of a badass. Surveying the corpse of the ancient evil he'd defeated with both the power of God-awful-pop-songs and cold steel, he spat out the strangest, if most appropriate to the situation, post mortem one liner ever.

"Come on Barbie. Let's go party."

Scratch that last line. I have never heard a man sound so badass and so incredibly gay at the same time.

A Spooky Story... (Part Two)

Please read Part One first.

It was close to midnight, and something evil was lurking in the dark.

Not Michael Jackson. A Bucket Wizard.

Luckily, we were prepared. The traps were set. The time was right. It may have been coming up to the most occult time of year, but the forces of evil were about to go running back to their mothers in hell.

We'd spotted the wizard some fifteen minutes ago, standing in the street, watching the house, surrounded by a legion of his child zombies. Heaven knows why he had his mind set on us as his prizes. Perhaps he chose this house at random. Perhaps he was drawn to it by a mix a mixture of Jake's technical skills, Mark's brains, and my rugged good looks?

Yeah, it was probably chosen at random. Based on reading up in Jake's Bumper Occult Grimmoire, the Bucket Wizard would strike at midnight - and, for the second time on this blog, I'm compelled to say that that's the sentence most like spy code I have ever typed. Jake had his guitar clasped in hand. I was seated at the keys. Mark gripped the microphone so tight, his knuckles went white. We were going to fight the abomination to this world, the spawn of Satan, with the greatest gift God had given us. The foundation for the very best of all cities. Rock and Roll. And, as the hands on the clock reached 23:59, it had never been more vital to play music with such crystal clarity, such simple, beautiful perfection, that God himself would weep tears of utter joy. The sweet music would repel the wizard, and then we could initiate phase two of the plan, also known as 'hit him with a spade till he stops moving.'

"We're all settled on the song, yes?" Mark was checking me and Jake, who couldn't always be counted on to be playing either the same song, in the same key, the same chords, or at the same time.

"It's fine Mark, we've run thr- good God, here he comes."

The clock struck midnight. The wizard slowly and demurely crossed the road, his minions trailing in his wake. He mounted the steps, and reached for the door. He never got to open it: by the time he touched the handle, the door had been blown off it's hinges by a riff of such strength and power, it seemed the very earth was playing with us, in perfect unison with both guitar and keyboard. As the strains of that opening riff died away, I caught Mark's eye.

"Let's rock this joint."

And at that, he drew a deep breath, and sang. He sang like he'd never sung before: a tortured angel singing the blues in a smoky bar. Every phrase was injected with it's fullest meaning, and forced through his lips, to create a heartbreaking, melodious song. It brought a tear to my eye, and a tremble to my lip. For the first time in my life, I felt those words. I understood the true meaning of the song: a darkly ironic tale of two desperate lovers, forced together by a life of shallow materialism, where everything seems fake.

The words he sang were these:

"I'm a barbie girl

In a barbie world.
Life in plastic

It's fantastic..."

On the third line, Jake and I rejoined him, a triumphant, crashing chord. This was the pure joy of music making. This song, at this time, was perfection itself. If anything could defeat the Bucket Wizard, it was this.

Yet there he stood, unruffled, looking us dead in the eye. Around him, his zombie children stood, waiting only for his word to attack. As we saw him standing there, the music ground to a halt. This was not going according to plan.

Then, as the last echoes bounced off the street, he spoke, in a voice filled with evil and corruption. "You really think you can defeat me with such music?"

Jake was the first to gain courage to speak. "Back, foul demon, to the pits of hell that spawned you!"

"Oh, really, cut the melodrama. Besides, why would that song be particularly effective against me, the pinnacle of evil?" He grinned, and his teeth suddenly seemed incredibly pointed. "After all, I wrote it. Besides, I've had enough of your so called music." At this, he turned to address the ranks of child zombies surrounding him. "Kill them."

At once, a solid wall of the dead, four foot high and wielding buckets began, slowly and excruciatingly, to move towards us. I have to admit, I was panicking. I thought this was the end. But Jake, thank God, wasn't as easily defeated. In a hushed voice, he spoke to us.

"Guys, I have a plan. We're going to have to appeal to the one human part left of their brains, and stop them attacking us. There's only one thing for it. Only one song for the job." And he named it, to our horror.

"I hate that song!"
"Jake, do you really think this is the time?"
"Look, guys, just play it! What else can we do?"

And so, facing an eternity with our souls enslaved to a man who had just claimed to write Barbie Girl, we took up our instruments, and began to play.

TO BE CONCLUDED

A Spooky Story... (Part One)

So, Halloween.

Okay, okay, I'm a bit late. But it's a beautiful time of year: capitalism and the old custom of knocking on people's doors, threatening supernatural vengence on them if they don't comply, and demanding they give you sugar products come together in one sickly, slightly green, fusion.

It warms your heart.

But none of this bothered me. I was going to meet a friend of mine, we were plug in, amp up, and create that little something we call rock and roll. So I walked through the lonely streets, all by myself, on the one night of the year I was most likely to meet with the occult. Strange shapes flitted in front of me: ghosts, demons, witches, a pirate, long dead and displaced in time. The apparitions appeared small, out of proportion, and wandered the twilight world in groups of three or four. Each group was headed by a taller, more imposing figure, appearing almost human and yet mocking humanity - these arch demons seemed to be in charge of the expedition to the human world. Each group would march purposefully to the doors of the innocent, and demand entry, their thin, hellish voices piping up the eldritch curse of "Trick or treat!" to the unwary who opened their doors. I gripped my crucifix firmly and continued on to my friend's house.
I walked up the drive, rang on the bell, and... well, what follows happened rather quickly, so let's move into written slow motion. The door opened, and I saw the flushed face of my friend, eyes wild, and, much more importantly, holding a gun, which he shot at me. The shot flew wide, and I staggered down the steps in shock.

Recognition flickered across his face, and, with cracked and strained voice he greeted me. "Ben! Thank Goodness you're here!"
"Jake. Hi! You, err, just shot me." Although this was obviously a shock, it wasn't entirely unexpected. I have some... unusual friends.
"Yes, well, never mind that. Get in the house!"
"What?"
"Get in the house now."
"Jake..."
"We have a Code Lazarus, Situation Ultimate Gamma. You know your orders. Get in the house."

Damn. Code Lazarus, as it happens, is one of our series of emergency codes. The code for a zombie uprising, to be precise. Situation Gamma meant it was local - the fact it was Ultimate meant that we had certain, confirmed sightings nearby. I needed no further persuasion: I stepped into the house.

"You're here!" It was Mark, our singer. The two of us being shut in the house with Jake, a man who, I just remembered, had once set his shoes on fire because he was bored. Oh, and he just tried to shoot me. Maybe this wasn't the best idea...

Time to establish what had happened. "Okay, Jake. What's the situation?"
"It's worse than we ever planned for. It was about an hour ago, and I looked out the window, and there they were, stumbling down the road. The children, Ben! They took the children!""
"So you saw some children who looked like zombies walking down the road on Halloween..."
"And buckets! They've taught the zombies to use buckets! We saw them walking with buckets!"

"So, you saw some children who looked like zombies, on Halloween, carrying buckets?" I shared a sidelong look with Mark. "There's only one explanation for this." Mark was nodding. Jake looked worried, and the tension in the room reached breaking point...

"It's a Bucket Wizard."

"A what?"
"A Bucket Wizard. They reanimate those who died young, and give them buckets to collect human souls in."
"Buckets?"
"Jake, are you a dark and dangerous force of the occult?"
"No."
"Then don't question the buckets." At this point, Mark chipped in, ever practical.
"What can we do?"
"Isn't it obvious?" Outside, the thunder executed a perfectly timed dramatic roll. "We're going to need a bigger spade. Settle down, gentlemen. It's going to be a long night."

TO BE CONTINUED